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- #Miroslav philharmonik 2 review sound on sound pdf
- #Miroslav philharmonik 2 review sound on sound install
- #Miroslav philharmonik 2 review sound on sound manual
There's no further help or info, such as whether this large library can be placed on a disk that's not your main drive. It wasn't entirely clear from the documentation what the user is meant to do with the sound library: sticking the sound DVDs in your drive reveals separate installers. Installation and authorisation also seemed to be a bit convoluted, but again needs to be done once only.
#Miroslav philharmonik 2 review sound on sound install
Doing so is a bit of a faff but at least you only have to do it once, and at least it means you can install the software on more than one machine (though you can only work on one copy at a time!). At least the chosen Syncrosoft system is used by several other software houses, most notably Steinberg, and authorisations from various programs can be consolidated onto one key. Hardware dongles are a real bummer, but I appreciate software developers' need to combat piracy. The box's one surprise, a USB copy-protection key, is a first for IKM their other software will follow in due course.
#Miroslav philharmonik 2 review sound on sound pdf
The timely PDF on the installation CD reflects this, although it doesn't list every patch: you're provided with the data - stylistic abbreviations and Instrument types - to work out what a given patch will sound like. But this isn't surprising: comparing IKM's pre-release publicity (and even the user manual) with the final product seems to indicate that Philharmonik is equipped with a lot more instruments than were initially planned. One document that isn't provided in print is the detailed sound manual.
#Miroslav philharmonik 2 review sound on sound manual
The Philharmonik box contains everything, including a full printed manual and a poster illustrating instrumental ranges and where on the stage of the Dvorák Hall the musicians were placed during recording. With Philharmonik, you can simulate the complete orchestral experience.
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Strings, brass and woodwind instruments form the core of the collection, along with a full range of orchestral percussion (tuned and untuned), male and female choirs, pipe organ, Steinway piano, concert harp, classical guitar and harpsichord and even ambient noises - page rustling, musician chat and tuning up noodles. And the best part? The plug-in costs a fraction of the price of the original library.
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The resulting plug-in crams 7GB of sample data, totalling more than 1300 instruments, onto two DVDs (the plug-in installer is on its own CD). Sonik Synth 2 was created in partnership with Sonic Reality, and it's SR who have developed Miroslav Philharmonik from the original sessions, including material not previously released. Now, however, the trend is for sample libraries to be built into plug-ins, and so the next step on the road for the Miroslav Vitous library is Miroslav Philharmonik, driven by the same plug-in technology that also powers IK Multimedia's Sampletank 2 and Sonik Synth 2. Rather later, it was also converted to Giga format for Nemesys/Tascam's software sampler. The resulting stereo samples required no further panning: instrumental groups added to a mix instantly fit, naturally filling up the stereo field, with the concert hall's ambience adding to the illusion.ĭespite being huge and expensive, the collection became the mainstay of many media composers, and was eventually released for Roland and Emu samplers as well as the original Akai. The players of the Czech Philharmonic Orchestra - solo or ensemble, playing with various articulations and expressions - were recorded on stage in Prague's Dvorák Symphony Hall, sitting where they would normally appear in most orchestral situations. State-of-the-art recording and digitising technology was used: initial sessions were recorded at 20-bit, with 24-bit technology used later in the process. Wanting just such a collection for his own use, he found nothing that would do the trick, and in 1993, started doing the job himself. Miroslav Vitous - composer, virtuoso bassist and founding member of Weather Report - can probably be credited with inventing the idea of a sample library that covers every instrument in the orchestra. Miroslav Vitous's orchestral library was the first of its kind, and more than a decade after its launch, has been reinvented as a self-contained virtual instrument. Note the keyboard display showing off key split zones. Miroslav Philharmonik running in Cakewalk Sonar 5 Producer Edition.